Non-traditional Narrative and New Media
Office:
E-mail: engl101 at heroicacademy dot org
Office Hours:
Required Materials
- Various materials will be provided through links on the calendar below.
- One spiral-bound or composition notebook (no more than 50 sheets should be necessary).
Course Description
This course provides you with consistent practice in narrative analysis and composition. You will encounter both traditional and non-traditional narratives in a variety of media that will enable you to exercise and grow your compositional abilities. In analyzing narratives in text, film and video games, you will explore the fundamental nature of narrative as it emerges in new ways, recording your analyses in a series of expository essays. Through these reading and writing assignments, you will explore narrative forms, and learn how to use both reading and writing as venues for inquiry, learning, thinking, interpretation, and communication. The course offers instruction and individualized feedback to help you advance as a thoughtful reader and as an effective writer.
Assignments
A major component of this course is gaining experience in writing; to that end, the majority of the assignments you will turn in for this course will involve writing in both shorter and longer forms. You will also be responsible for a final portfolio to include final drafts of all major writing assignments.
Minor Assignments
Participation
Your participation grade will be determined by your ability to contribute meaningfully to classroom discussions. Small group and individual exercises will allow the class to thoroughly explore each text. This will require that all members participate, responding to and interacting with both the instructor and their peers.
You will be required to bring a copy of the assigned reading for each class session to class. Given the limitations of the video game medium, you will record detailed notes as you progress through Chrono Trigger and bring those to class for discussion. If you do not have the assigned reading or your Chrono Trigger notebook (whichever is applicable) with you, you will receive a zero for that day’s participation grade.
Before each of the first drafts for the major assignments in this course are due, we will conduct a peer review session to allow you to make preliminary revisions to your paper. You and a classmate will exchange papers, and will offer commentary and suggestions for improving the paper in its current form. This is vital to the writing process, and failure to participate in this assignment will be reflected in your essay draft’s revision component.
Reading Quizzes
There will be 12 short quizzes based on the reading throughout the semester. These quizzes cannot be made up if you are late. Quizzes may be made up if arrangements are made with me beforehand to do so.
Major Assignments
Short Writing Assignments (SWA)
- SWA One - Topic proposal and thesis for Essay One (Week 4)
- SWA Two - Topic proposal and thesis for Essay Two (Week 9)
- SWA Three - Topic proposal, thesis, outline, and annotation of secondary sources for Essay Three (Week 13)
Essay Drafts
- 3-4 page Close Reading of a text (Week 6)
- 5-7 page Cultural/Historical Reading of a text (Week 10)
- 7-10 page Comparative Reading of a text (Week 15)
Portfolio
- First Drafts of Essays - After submitting these to me, you’ll receive my feedback, and use them in order to complete another round of revisions before eventually submitting your revised draft as part of your final portfolio. I also highly recommend that you visit the University Writing Center for a tutoring appointment where you can get advice for revising your paper with my comments in mind. Extra credit is available at my discretion on papers when accompanied by a written slip from the University Writing Center.
- Final Draft of Each of the Three Major Essays - Your final portfolio will contain a revised version of each of your three major essays in this class. Importantly, you will need to keep the copies of your work that I return to you with my feedback: you will be required to submit them with your revisions.
- For each essay, you will turn in a total of two drafts: the first, revised after being subjected to peer review I will comment on, grade, and return to you; the second is the Final Portfolio draft at the end of the semester.
Course Policies
Grading
A “C” is the lowest passing grade in English 101/102. Grades are earned on a ten-point scale:
- A = 100-90
- B+ = 89-86
- B = 85-80
- C+ = 79-76
- C = 75-70
- D+ = 69-66
- D = 65-60
- F = 59-0
More detailed requirements are outlined in each assignment. Feel free to discuss any questions regarding grades with me in my office no earlier than 24 hours after receiving said grades.
Due to FERPA law, I cannot discuss grades via email. I am always willing to discuss them in office hours, or before or after class. As I do not post grades on Blackboard until the very end of the semester, you may wonder about your day-to-day grade. The easiest way to figure this out is to look at the grades you’ve gotten back, check the syllabus, and see how they are weighted. Do that before you ask me what your current grade is.
Electronic Communication
The easiest and most reliable way to contact me in this class is via email. I check my email daily; however, don’t expect an immediate response outside normal business hours (Monday-Friday, 9-5). I occasionally will send class-wide emails regarding attendance and assignments, and these go through your university-assigned email. It is your responsibility to check your email daily. “I didn’t check my email” is NOT a valid excuse. As we live in the age of the smartphone, I suggest you set up your account to push to your phone.
Paper Format and Documentation
All formal assignments must be in MLA format, typed and double spaced using 12-point Times New Roman typeface, with 1” margins all around. Use MLA style to cite and properly document any outside sources you use. All electronic submissions must be in .docx format. Remember, that a minimum page limit refers to a full page. You can use the Purdue Online Writing Lab (OWL) to find more information about MLA formatting guidelines.
Academic Honesty
You are bound by the university’s policies on academic honesty, which bar you from presenting another person’s work or ideas as your own, allowing someone to write an assignment or part of an assignment for you, or neglecting to properly acknowledge source materials. First-Year English policy also prohibits you from recycling work—that is, from turning in a paper completed in another class for credit in this class. The university takes violations of these policies seriously; penalties include failing the course and expulsion from the university. You are also responsible for reading the Academic Responsibility section of First-Year English FAQs on the English Department Website. We will learn about and discuss strategies for research and source use, citation, and documentation throughout the semester. If you have any questions about academic honesty or use of source materials, please come to me before the assignment is due.
Calendar
Unit 1 - Close Reading
Week 1 - Syllabus Day
- Course Introduction
- Introduction to Chrono Trigger
Week 2 - Rhetorical Analysis
- William Shakespeare - Antony at Caesar's Funeral
- Damian Lewis as Antony in Julius Caesar
- William Shakespeare – Hamlet’s Soliloquy
- Adrian Lester as Hamlet
- Chrono Trigger – The Queen is Gone
- Quiz 1
Week 3 - Visual Texts
- McCloud - from Understanding Comics
- Alan Moore – The Killing Joke
- Grant Morris on The Killing Joke
- Chrono Trigger – Beyond the Ruins
- Quiz 2
- SWA 1 Handout
- Essay 1 Handout
Week 4 - The Apocalypse
- Arthur C. Clarke – If I Forget Thee, Oh Earth
- Chrono Trigger – The End of Time
- Quiz 3
- SWA 1 Due
Week 5 - Narrative Putty
- Jorge Luis Borges - Pierre Menard, Author of the Quixote
- Jorge Luis Borges – The Tower of Babel
- Chrono Trigger – The Rare Red Rock
- Quiz 4
Week 6 - Writing Workshop and Narrative Structures
- Writing Workshop (bring some method to edit your paper drafts)
- Douglas Hofstadter – Canon of Intervallic Augmentation from Gödel, Escher, Bach
- Johann Sebastian Bach – Canon per tonos
- Chrono Trigger – The Masamune!
- Quiz 5
- Essay 1 Draft Due
Unit 2 - Cultural and Historical Analysis
Week 7 - Narrative Structures
- Douglas Hofstadter – Crab Canon from Gödel, Escher, Bach
- Johann Sebastian Bach – Crab Canon
- Graff and Berkenstein - from They Say / I Say
- Chrono Trigger – Forward to the Past
- Quiz 6
- SWA 2 Handout
- Essay 2 Handout
Week 8 - Time
- Brian Greene - Time Travel is Possible
- Richard Feynman - The Distinction of Past and Future
- H. G. Wells - from The Time Machine
- Chrono Trigger – Unnatural Selection?
- Quiz 7
Week 9 - Time
- H. G. Wells - from The Time Machine
- Chrono Trigger – The Magic Kingdom
- SWA 2 Due
Week 10 - Heroism
- Julian Glover reciting Beowulf
- Beowulf - Grendel in Heorot
- The Epic of Gilgamesh – Tablet 1
- Star Trek: The Next Generation - Darmok
- Writing Workshop (bring some method to edit your paper drafts)
- Chrono Trigger – The Guru on Mt. Woe
- Quiz 8
- Essay 2 Draft Due
Unit 3 - Comparative Analysis
Week 11 - Guilt and Perspective
- Foucault - Panopticism
- Murray - The Interior View: One Author’s Philosophy of Composition
- Richard Feynman - The Universe in a Glass of Wine
- Chrono Trigger – Lavos Beckons and Side Quests Part 1
- Quiz 9
- SWA 3 Handout
- Essay 3 Handout
- Final Portfolio Handout
Week 12 - Dystopia
- Bladerunner Part 1
- Bladerunner Part 2
- Chrono Trigger – Side Quests Part 2
- Quiz 10
Week 13 - Narrative Sandwich
- The Princess Bride Part 1
- The Princess Bride Part 2
- Chrono Trigger – The Final Battle
- Quiz 11
- SWA 3 Due
Week 14 - Rhetoric and Argumentation
- Gorgias - The Encomium of Helen
- Quiz 12
Week 15 - Writing Workshops
- Writing Workshop (bring some method to edit your paper drafts)
- Chrono Trigger – Endings
- Essay 3 Draft Due
Week 16 – Small Groups
- We will construct small groups around Week 14 based on students’ portfolio contents
- Writing Workshop Group I (bring some method to edit your paper drafts)
- Writing Workshop Group II (bring some method to edit your paper drafts)
- Writing Workshop Group III (bring some method to edit your paper drafts)